Plot Mechanics

Good drama springs from character and situation; it's not imposed.  It's an organic development.  Sometimes soap operas get this wrong though, and the audience can see the joins.  The cogs that turned to bring a situation about are obvious.

Brookside was terrible for this: a new family or character would be issued purely so they could cover an "issue".  Nat and Georgia may as well have turned to the screen and said, "hello, we're here to talk to you about incest for the next year."

Coronation Street isn't quite as bad as that, but sometimes you can see the strings being pulled, and it hurts.  I'm pretty sure this is why I've never taken to Robert Preston.  His introduction was contrived; I could see the join.  I can see why bringing back Tracy Barlow's ex-husband might be an interesting storyline.  When I saw that the sweetly pudding faced boy she married at the turn of the millennium had been transformed into a six foot tall brooding "hunk", I sighed.  "Oh, he's been brought in for us to leer at."

Worse was to come, and I'm not talking about his accent (fun fact: Tristan Gemmill was born in Royal Tunbridge Wells).  When they got into a discussion about his life since divorcing Tracy, Robert revealed he was now a talented chef.  He was a carpet fitter when he was married to Tracy, but apparently, at some point in the last twelve years, he'd developed a deep and abiding love for the culinary arts.  Even Tracy boggled at that one, pointing out that he was a terrible cook.  Still, being a good chef is just something you can learn, isn't it?

Meanwhile at the Bistro, Leanne and Nick were in a flap.  You're never going to believe this, but they needed a chef!  The old one had stormed out (off camera) and now, blimey o'reilly, they were in a right pickle!

I couldn't just hear the cogs turning, I could see them right in front of my eyes.  It was ridiculously contrived and I didn't believe a moment of it.

Robert has since continued on the Street, standing at the back and glowering from under his eyebrows, but this week he's suddenly, bizarrely, turned on Tracy.  A couple of months ago, Robert was deeply sympathetic when Tracy revealed that in an act of revenge, she'd broken into a flat, set it ablaze, then, when two people died as a result, she let Carla take the blame.  Never mind, he said; let me soothe your anguished psyche.

Now, Simon belts Amy and suddenly Robert is demanding Tracy apologises to Leanne for being angry.  A quick reminder: her daughter was hit by another child.  Tracy has every right to be annoyed, but in Robert's world, this is a heinous crime that means he can't stand to be around her.

And then I saw the cogs again.  I remembered that prior to Sarah Harding's appearance onscreen as Robert's ex-wife Joni, we got press reports about how the producers were "thrilled" with her.  There's this amazing quote from the Manchester Evening News:

Corrie producer Stuart Blackburn has said of the casting: “Sarah is proving to be a gifted and exciting actor and I’m absolutely delighted to have her on board, the viewers are in for a treat as her character will be right at the heart of a massive new story for the Barlows.”

In fact, just ahead of her appearance, she revealed that they'd asked her to return later in the year.

“It turns out they’ve given me more episodes to film,” Sarah revealed to The Sun. “But I don’t know about doing it full-time. You only get about seven days to learn your lines. Sometimes you have to learn on the spot.”
“It’s not like when I’ve done films and you learn the script well in advance. I’m nervous because people are going to expect high standards.”

And then Sarah Harding appeared onscreen, and blood spontaneously poured from the nation's television sets.  It turned out Ms Harding could not act.  Not even slightly.  There were eight week old bunches of flowers outside Dev's shop with more presence and talent.  Social media exploded, and newspapers were full of gleeful coverage about how awful she was.

So here's my theory: this wasn't meant to be about Leanne at all.  This storyline about a wedge appearing between Tracy and Robert was to have coincided with the return of Joni: one ex-wife against the other.  Sarah Harding's distinct lack of talent put paid to any return appearance, so there was a hasty rewrite and a jiggling around of storylines.  Cogs turning.

I could be wrong.  I probably am wrong.  I prefer my version, though, because otherwise it just means the characters are being written in a horribly contrived and inconsistent fashion for no reason at all.

Deirdre: A Life on Coronation Street - official ITV tribute to a soap icon. Available here.

Like us on Facebook | Follow us on Twitter @infokitasemua

Download our free App | Visit Corrie.net


All original work on the Coronation Street Blog is covered by a Creative Commons License

Celebs in t'Street- Do Novelty Castings Work?

Do novelty castings work?

Hello and welcome to what is not a Wednesday review and my first non-review article.

Recently, there has been a stream of castings within popular dramas, soaps and animated series in order to boost ratings. The value of star casting is extremely debatable. What begun as an American trend in shows like The Simpsons and Glee, the idea of casting celebrities in order to entice viewers has seeped its way across the pond and flooded the Street, The main focus of this article is the issue of 'stunt casting'. Here is the general definition of that term:

"The practice of casting a famous actor or a celebrity in a role in order to publicise or promote a television programme, film or play"

Many famous faces have graced the cobbles over the years. For example, Sir Ian McKellen played conman Mel Hutchwright/ Lionel Hipkiss in 2005 and Sue Johnston played busybody Gloria Price between 2011 and 2014, albeit whilst wearing an odd grey wig. This is not to suggest that star names should not be cast if they are suited to the role. They have studied, worked hard and learned their craft to achieve their celebrity status.


However, this year alone, there have been three very highly publicised incidents of stunt casting. The audience was subjected to the acting styles of popstar Sarah Harding as Robert's vengeful wife, Joni, who tried, and spectacularly failed to be a match for Tracy Barlow. Even more recently, comedian Paddy McGuinness turned up as a wildlife expert, in what was a highly publicised comedy storyline. Only a few episodes later, Michelle's relative Aidan Connor arrived, played by early X Factor winner Shayne Ward. Now, two former reality TV popstars are in the Connor clan and a popular TV presenter/comedian is taking centre stage in a highly anticipated camping storyline.


Fans of Coronation Street are intelligent enough to realise when someone has been shoe-horned in in an ill-conceived idea to win ratings. The recent very brief appearance of Sarah Harding caused a stir amongst viewers. Although she received a negative press, the programme was still discussed at length, which could be considered good publicity. However, had someone else been cast as Joni, the character could have gone a lot further. Given that Ms Harding did not even audition, it was an unfair, unnecessary and ultimately unsuccessful ploy for more viewers.


It was reported at the end last year that Corrie’s viewing figures were at an all-time low, at 4.9m. Many have attributed this to the departure of Tina, who was likely to have brought in a lot of heterosexual male viewers. Michelle Keegan was a complete unknown when she was cast. She has, like Pat Phoenix and many others become famous because of the Street, and has launched a successful career since leaving as herself.

Back in 1987, 26m people tuned in on Christmas Day to watch the bittersweet departure of Street icon, Hilda Ogden. They were tuning in to say goodbye to a character which they, as a nation, had taken into their hearts, lovingly created by Jean Alexander. Of course, this was back in 1987, a long time ago in terms of television, when people had to watch a programme as it aired otherwise they would miss it, but the sentimentality still stands, given that Hilda Ogden was voted the greatest soap character ever in a Radio Times poll in 2004.


Neither Jean Alexander nor Michelle Keegan were stunt castings and they both benefited the show greatly.

All forms of entertainment work on a suspension of disbelief. To enjoy anything, we have to accept what is on screen as real and not a series of moving images. It is hard to admit that Corrie is in fact a work of fiction. It is a reflection of the world we currently live in, It often relies on popular culture references to help the audience relate to it, which is why it is frustrating when, for example, a reference to Girls Aloud is made and then an apparent double of one of the members turns up and nothing is mentioned. Girls Aloud exist in that universe- the factory girls memorably belted out a rendition of 'The Promise'. This makes the suspension of disbelief significantly harder. It could be that the Street has had such a long life because of the characters. The viewers invest in them because they feel like they know them. In 1960, every street had an Ena, an Elsie or an Annie.

The Street probably would not have worked had they cast a superstar such as Elizabeth Taylor as Elsie Tanner. Coronation Street made Pat Phoenix into an icon. She was Elsie and Elsie was Pat. People believed Elsie was real. Fast forward to today and any long-serving character is known largely in real life by their character name to the public. Barbara Knox is known and referred to as Rita, Helen Worth as Gail and Sally Dynevor as Sally (see what I did there?). This re-enforces the aforementioned point that it is the character the public become attached to, not the actor.

Now, reverse that and most Hollywood actors are often known by their real name to the public in any film they star in. Their character names are frequently forgotten. Brad Pitt is often referred to as Brad Pitt by viewers in any film he stars in.

Research for this article has shown that personal opinions are mixed. Some people enjoy seeing familiar faces in the very familiar street but most find it difficult to separate the celebrity from the character, since the celebrity is already well known to them as someone other than their character. Some feel that it takes what is a potentially a very good career opportunity from unknown actors. There are thousands of trained actors out there who are stuck in dead-end jobs, having studied for years only to end up pulling pints in a real pub.

Overall, the general consensus between people of all ages, is that celebrity casting is a negative thing

A celebrity must convincingly separate themselves from their real-life counterparts. Corrie is about down-to-earth, relatable people. That was its original charm. In terms of viewers, Corrie is still the top-rated soap, but still significantly less than it was two decades ago. This, however, begs another question. Has modern technology of catch up and Sky+ got in the way, or have people just lost interest in Soapland?


So- do novelty castings work? No. A celebrity may still be cast but only if they are right for the role, in which case it would not be a novelty casting.


Thank you for reading my non-review post. This is an interesting topic and I look forward to hearing opinions.


Jordan


Twitter- @JordanLloyd39


Download our free App | Follow on Twitter @infokitasemua | Like on Facebook | Visit Corrie.net





All original work on the Coronation Street Blog is covered by a Creative Commons License